![]() Arthur and the guards have to fight while their reality literally spins around them, resulting in a visually-stunning confrontation as Arthur and the last guard fight for control of a gun. But when the van that Arthur is sleeping in loses control and begins to roll, so too does the hotel hallway that Arthur and the guards are fighting in. The bulk of the fight is one incredible shot that follows the two as they fight down one hallway, into an elevator, and out onto a different floor before Speedy finally subdued him, which likely required a complete set change in the moments when the elevator doors were closed.Īrthur (Joseph Gordon-Levitt) is fighting within the dream world against a set of guards projected by their target's subconscious as a defense mechanism. ![]() The most impressive portion of the fight, however, is a more traditional "hallway scene" that follows Speedy (Green Arrow's sidekick) as she attempts to take down the brainwashed Andy by herself. Green Arrow spends most of the fight in the main courtyard, alternating between ranged and close-quarters combat seamlessly, and when the Atom drops out of the sky in his powered armor and starts beating down mercenaries with metallic clangs, the show fully earns its superhero moniker. Though the need to cut to various set pieces keeps the scene from being a true single-take fight sequence, every piece of it is captured in long-form shots, allowing Bamford's fight choreography to truly shine as the team of heroes takes on a literal army. Telling the child he doesn't need to be afraid anymore, Murdock carries him out of this hell hole, stepping over the masses of moaning men he'd beaten down to get there. Engaging what feels like it must be every mobster in the state of New York, he kicks and punches (and takes his share of hits too) until he locates the boy. The entire fight is an uninterrupted, three-minute-and-one-second shot of Murdock moving from room to room within a rundown apartment building searching for the boy - and keep in mind, the character is blind and relying completely on his other sense. Determined to squash the vigilante before he inspires others to follow his lead, gangsters kidnap a small boy to lure Murdock into a trap - and when he learns the location of the child, it's time for a confrontation. Just beginning his fight as "the man in black," Matt Murdock has been pushing back against the rising criminal empire exploiting Hell's Kitchen, and it has come time for the mafia to respond in kind. In retrospect, the final scene of the second episode was where the series really took off.
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